MEET THE TEAM
This film came together thanks to the incredible skills and talents of our amazing team.
Read about some of our key contributors below!
ASSOCIATE PRODUCER: Kristen Troyansky
Kristen has been working in NY Post Production since 2012. Her most recent credits include the television series “The Marvelous Mrs. Maisel” (Amazon) and “Billions” (Showtime).
PRODUCTION DESIGNER: Anna Driftmier
Anna Driftmier is a scenographer and production designer whose work extends across the USA and Europe. She actively collaborates with a wide range of artists to produce visually powerful, genre-breaking new and revived pieces of work.
Production design includes: The Nude Model, Wake Up!, November, Nation Down.
Theater design includes: Golden Boy (Gelsey Kirkland Art Center); What Does It Feel Like to Grow Up (Planta Baja); Dolphins and Sharks (Finborough Theatre); Terezin (Playwrights Horizons); Paper Hearts (Upstairs at the Gatehouse); Trident Moon (Finborough Theatre); Radioman (Old Red Lion Theatre); The Taming of the Shrew (Above the Arts); Valkyrie (Waterloo Vaults); The Legacy (Hope Theatre); Uncommon Women and Others (Rooke Theatre). Her work in opera design includes: A Village Romeo and Juliet (New Sussex Opera); Dust Child (English Touring Opera); The Dowager's Oyster (Grimeborn); Seven Velvet Suites (BasicSpace); East O' the Sun West O' the Moon (Tête à Tête), Transfigured Night (Guildhall School of Music & Drama). As an assistant she has worked with the Brooklyn Academy of Music, Signature Theatre, Punchdrunk, Bristol Old Vic, Trafalgar Studios 2, Southwark Playhouse, and Theatre503. She holds an MA in Performance Design and Practise from Central Saint Martins and a Technical Theatre Diploma from the Guildhall School of Music & Drama. She received a BA in Classics and Theatre from Mount Holyoke College. While there she was awarded the Margaret Davis Stitt Prize for Excellence in Theatre
EDITOR: Zana Bochar
Zana Bochar graduated from Florida State University's Film School in 2007. She has worked on many feature films such as Girls Trip, Noah and Top Five, and recently completed work on season one of The Marvelous Mrs. Maisel. A born and raised New Yorker, she happily lives in Astoria with her husband and dog.
PERFORMANCE COACH: Jessica Holt
Jessica Holt is a director, acting coach and artistic producer based in New York. Recent directing projects include Speech and Debate by Stephen Karam at Barrington Stage Company (Boston Globe's Critics Pick), Rich Girl by Victoria Stewart at Florida Studio Theatre, and Venus in Fur by David Ives at Virginia Stage Company. She also directed a multimedia, live immersive project with advertising agency BBDO and their pro bono client Street Grace to tell a powerfully impactful story that shined a light on the horrific realities of domestic minor sex trafficking. Jessica is currently a National Directing Fellow with the O'Neill/National New Plays Network. She was the 2015-2016 Yale Directing Fellow at the Alliance Theatre in Atlanta. She has developed new work by Bekah Brunstetter, Kate Tarker, Christopher Chen, Rehana Mirza, Will Arbery, Lauren Feldman and Ashlin Halfnight, among others. Jessica also coaches actors for auditions, theater, television and film work, and most recently worked as the performance coach on the short film The Nude Model, directed by and starring Charlotte Bydwell. MFA in Directing: Yale School of Drama.
DI COLORIST: Mike Nuget
Mike (or to most, just “Nuget”) has been a member of the Technicolor-PostWorks team since 2005, offering expertise in color grading, editorial finishing, and visual effects. Recently, he has been applying those skills to television projects and documentaries, including the FX series The Americans, Netflix's docu-series Rotten, ABC drama Quantico, TV Land’s Younger, PBS documentary series Soundbreaking – Stories from the Cutting Edge of Recorded Music, and recent Academy Award Nominated short, Edith & Eddie. Nuget began his career at Rhinoceros Editorial in 2003. Since then, Mike has worked in virtually every picture genre – from commercials and promos, to reality and network television, to narrative and documentary films – and has honed a diverse skill set across multiple platforms, including DaVinci’s Resolve, Filmlight’s Baselight, AVID & some Autodesk Flame work. As of March 1st Mike will be broadening his horizon's by taking a leap of faith and pursuing a freelance career.
SOUND DESIGN + MIXING: Andrew Gerhan and Kathryn Musilek
Andrew and Kathryn began collaborating in 2014 to compose and produce music and sound for visual media. Kathryn was an award-winning pianist in her youth who graduated to songwriting and performing alone and with with numerous rock bands (Solo projects, Burn Disco Burn, Death Ships and Poison Control Center). She attended film school in Iowa City and went on to found Shark Party Media, a successful NYC public relations firm promoting clients in music and comedy. Andrew performed and recorded with numerous bands as well (Adam Arcuragi, Our Lady of the Highway, Eric Burdon and the Animals), and toured extensively throughout the U.S. and Europe. Andrew is now a co-owner of NYC's Translator Audio and makes records for a variety of clients following a studio apprenticeship in the early 2000's under the legendary Tim Mooney.
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Kristen has been working in NY Post Production since 2012. Her most recent credits include the television series “The Marvelous Mrs. Maisel” (Amazon) and “Billions” (Showtime).
PRODUCTION DESIGNER: Anna Driftmier
Anna Driftmier is a scenographer and production designer whose work extends across the USA and Europe. She actively collaborates with a wide range of artists to produce visually powerful, genre-breaking new and revived pieces of work.
Production design includes: The Nude Model, Wake Up!, November, Nation Down.
Theater design includes: Golden Boy (Gelsey Kirkland Art Center); What Does It Feel Like to Grow Up (Planta Baja); Dolphins and Sharks (Finborough Theatre); Terezin (Playwrights Horizons); Paper Hearts (Upstairs at the Gatehouse); Trident Moon (Finborough Theatre); Radioman (Old Red Lion Theatre); The Taming of the Shrew (Above the Arts); Valkyrie (Waterloo Vaults); The Legacy (Hope Theatre); Uncommon Women and Others (Rooke Theatre). Her work in opera design includes: A Village Romeo and Juliet (New Sussex Opera); Dust Child (English Touring Opera); The Dowager's Oyster (Grimeborn); Seven Velvet Suites (BasicSpace); East O' the Sun West O' the Moon (Tête à Tête), Transfigured Night (Guildhall School of Music & Drama). As an assistant she has worked with the Brooklyn Academy of Music, Signature Theatre, Punchdrunk, Bristol Old Vic, Trafalgar Studios 2, Southwark Playhouse, and Theatre503. She holds an MA in Performance Design and Practise from Central Saint Martins and a Technical Theatre Diploma from the Guildhall School of Music & Drama. She received a BA in Classics and Theatre from Mount Holyoke College. While there she was awarded the Margaret Davis Stitt Prize for Excellence in Theatre
EDITOR: Zana Bochar
Zana Bochar graduated from Florida State University's Film School in 2007. She has worked on many feature films such as Girls Trip, Noah and Top Five, and recently completed work on season one of The Marvelous Mrs. Maisel. A born and raised New Yorker, she happily lives in Astoria with her husband and dog.
PERFORMANCE COACH: Jessica Holt
Jessica Holt is a director, acting coach and artistic producer based in New York. Recent directing projects include Speech and Debate by Stephen Karam at Barrington Stage Company (Boston Globe's Critics Pick), Rich Girl by Victoria Stewart at Florida Studio Theatre, and Venus in Fur by David Ives at Virginia Stage Company. She also directed a multimedia, live immersive project with advertising agency BBDO and their pro bono client Street Grace to tell a powerfully impactful story that shined a light on the horrific realities of domestic minor sex trafficking. Jessica is currently a National Directing Fellow with the O'Neill/National New Plays Network. She was the 2015-2016 Yale Directing Fellow at the Alliance Theatre in Atlanta. She has developed new work by Bekah Brunstetter, Kate Tarker, Christopher Chen, Rehana Mirza, Will Arbery, Lauren Feldman and Ashlin Halfnight, among others. Jessica also coaches actors for auditions, theater, television and film work, and most recently worked as the performance coach on the short film The Nude Model, directed by and starring Charlotte Bydwell. MFA in Directing: Yale School of Drama.
DI COLORIST: Mike Nuget
Mike (or to most, just “Nuget”) has been a member of the Technicolor-PostWorks team since 2005, offering expertise in color grading, editorial finishing, and visual effects. Recently, he has been applying those skills to television projects and documentaries, including the FX series The Americans, Netflix's docu-series Rotten, ABC drama Quantico, TV Land’s Younger, PBS documentary series Soundbreaking – Stories from the Cutting Edge of Recorded Music, and recent Academy Award Nominated short, Edith & Eddie. Nuget began his career at Rhinoceros Editorial in 2003. Since then, Mike has worked in virtually every picture genre – from commercials and promos, to reality and network television, to narrative and documentary films – and has honed a diverse skill set across multiple platforms, including DaVinci’s Resolve, Filmlight’s Baselight, AVID & some Autodesk Flame work. As of March 1st Mike will be broadening his horizon's by taking a leap of faith and pursuing a freelance career.
SOUND DESIGN + MIXING: Andrew Gerhan and Kathryn Musilek
Andrew and Kathryn began collaborating in 2014 to compose and produce music and sound for visual media. Kathryn was an award-winning pianist in her youth who graduated to songwriting and performing alone and with with numerous rock bands (Solo projects, Burn Disco Burn, Death Ships and Poison Control Center). She attended film school in Iowa City and went on to found Shark Party Media, a successful NYC public relations firm promoting clients in music and comedy. Andrew performed and recorded with numerous bands as well (Adam Arcuragi, Our Lady of the Highway, Eric Burdon and the Animals), and toured extensively throughout the U.S. and Europe. Andrew is now a co-owner of NYC's Translator Audio and makes records for a variety of clients following a studio apprenticeship in the early 2000's under the legendary Tim Mooney.
MORE ON IMDB
